ASCHE: 1991, 2026, 2700, edited by Elif Saydam, François Pisapia, José Segebre, Rosen Eveleigh and Ursula Pürrer, published by Die schönsten schwulen Bücher (forthcoming)
Amy Ching-Yan Lam, 83% Perfect, published by the Goldfarb Gallery, York University.
Phyllis Christopher, Dark Room: San Francisco Sex and Protest 1988-2003, published by Book Works (2022)
Unlearning Exercises: Art Organizations as Sites for Unlearning, edited by Annette Krauss, Yolande van der Heide, and Binna Choi, published by Casco Art Institute — Working for the Commons and Autonomedia/Minor Compositions (2017, 2025)
Exhibition graphics in collaboration with, and for, Li Yong Xiang's exhibition In Rust, Antenna Space, Beijing (2025)
Francis Offman, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2025)
Large scale exhibition graphics for Ed Webb-Ingall's exhibition, We Have Rather Been Invaded at Focal Point Gallery (2018)
Furniture stack for Amy Ching-Yan Lan's exhibition 83% Perfect, Goldfarb Gallery, Toronto
Margaret Salmon, CINEMATOGRAPHA, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2023)
Amy Ching-Yan Lam, Property Journal, published by Book Works (2024)
Deborah Joyce-Holman, Queen for a Day, Book Works (2023)
Titles for Such Feeling, directed by Alex Baczyński-Jenkins. Designed with Carlo Canún
Beatriz Santiago Muñoz, Elogio al disparate, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2024)
Annette Krauss, Unlearning Routines of the Impossible, published by Casco Art Institute — Working for the Commons and Autonomedia/Minor Compositions (2025)
June Crespo, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2025)