Phyllis Christopher, Dark Room: San Francisco Sex and Protest 1988-2003, published by Book Works (2022)
Amy Ching-Yan Lam, 83% Perfect, published by the Goldfarb Gallery, York University.
Margaret Salmon, CINEMATOGRAPHA, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2023)
ASCHE: 1991, 2026, 2700, edited by Elif Saydam, François Pisapia, José Segebre, Rosen Eveleigh and Ursula Pürrer, published by Die schönsten schwulen Bücher (forthcoming)
Photograph attached to the front cover of June Crespo, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2025). Photograph by Iris Ranzinger
Furniture stack for Amy Ching-Yan Lan's exhibition 83% Perfect, Goldfarb Gallery, Toronto
Exhibition graphics in collaboration with, and for, Li Yong Xiang's exhibition In Rust, Antenna Space, Beijing (2025)
Phyllis Christopher, Dark Room: San Francisco Sex and Protest 1988-2003, published by Book Works (2022)
Deborah Joyce-Holman, Queen for a Day, Book Works (2023)
Titles for Such Feeling, directed by Alex Baczyński-Jenkins. Designed with Carlo Canún
Amy Ching-Yan Lam, Property Journal, published by Book Works (2024)
Large scale exhibition graphics for Ed Webb-Ingall's exhibition, We Have Rather Been Invaded at Focal Point Gallery (2018)
Charlie Prodger, published by Secession (2023). Photograph by Iris Ranzinger
Amy Ching-Yan Lam, Property Journal, published by Book Works (2024)
Record for Romy Nína Rüegger, Moving Through, published by Badischer Kunstverein, released on Apparent Extent, 2024
June Crespo, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2025). Photograph by Iris Ranzinger
Beatriz Santiago Muñoz, Elogio al disparate, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2024)
Unlearning Exercises: Art Organizations as Sites for Unlearning, edited by Annette Krauss, Yolande van der Heide, and Binna Choi, published by Casco Art Institute — Working for the Commons and Autonomedia/Minor Compositions (2017, 2025)
Annette Krauss, Unlearning Routines of the Impossible, published by Casco Art Institute — Working for the Commons and Autonomedia/Minor Compositions (2025)
Identity and website for HEIRLOOM – center for art and archives. Photo by Kevin Malcolm
Danny Hayward speaking at the conference in celebration of the life and work of Marina Vishmidt, What is Infrastructural Critique 2025)
Francis Offman, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2025)
Christine Sun Kim, published by Secession and Verlag der Buchhandlung Walther und Franz König, Köln (2023)
Rising and Sinking Again, Center for Curatorial Studies Bard (2023)